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Four Eleven Forty Four or 4-11-44 is a phrase that has appeared repeatedly in popular music and as a reference to numbers allegedly chosen commonly by poor African Americans while gambling. == History of usage == The roots of the phrase can be traced to the illegal lottery known as "policy" in nineteenth-century America. Numbers were drawn on a wheel of fortune, ranging from 1 to 78. A three-number entry was known as a "gig" and a bet on 4, 11, 44 was popular by the time of the Civil War. The ''New York Clipper,''a sporting and theatrical weekly, ran a serial story by John Cooper Vail in April and May of 1862 titled "'4-11-44!' or The Lottery of Life in the Great City," indicating that the number was already a gambling cliché. ''The Secrets of the Great City,'' an 1869 book by Edward Winslow Martin, references 4-11-44 and attributes the section on policy to "the New York correspondent of a provincial journal", but does not name the writer. Nor does he date the article, except to say it was published "recently". The combination became known as the "washerwoman's gig" after it featured on the cover of ''Aunt Sally's Policy Players' Dream Book'', published by H. J. Wehman of New York sometime in the 1880s. The stereotypical player of the washerwoman's gig was a poor black male. In the 1890 ''How the Other Half Lives: Studies Among the Tenements of New York'', Jacob A. Riis wrote: Of all the temptations that beset him, the one that troubles him and the police most is his passion for gambling. The game of policy is a kind of unlawful penny lottery specially adapted to his means, but patronized extensively by poor white players as well. It is the meanest of swindles, but reaps for its backers rich fortunes wherever colored people congregate. Between the fortune-teller and the policy shop, closely allied frauds always, the wages of many a hard day's work are wasted by the negro; but the loss causes him few regrets. Penniless, but with undaunted faith in his ultimate "luck," he looks forward to the time when he shall once more be able to take a hand at "beating policy." When periodically the negro's lucky numbers, 4-11-44, come out on the slips of the alleged daily drawings, that are supposed to be held in some far-off Western town, intense excitement reigns in Thompson Street and along the Avenue, where someone is always the winner. An immense impetus is given then to the bogus business that has no existence outside of the cigar stores and candy shops where it hides from the law, save in some cunning Bowery "broker's" back office, where the slips are printed and the "winnings" apportioned daily with due regard to the backer's interests. A song entitled "4-11-44" appeared in ''The Major'', a musical theater piece by Edward Harrigan and David Braham. In 1889, H. J. Wehman listed "Four 'eleven forty-four" in their extensive song book. The published song was possibly as performed in an unsuccessful musical show "4-11-44" by Bert Williams and George Walker, but few details have survived and this has not been verified. Certainly, Bob Cole published a song entitled "4-11-44: A Coon Ditty" in 1897 and he performed this with the Black Patti Troubadour Company in the musical skit "At Jolly Cooney Island" around the same time. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Four Eleven Forty Four」の詳細全文を読む スポンサード リンク
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